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The early Allman Brothers cut it, as did Lulu, Lee Hazlewood and Nazareth. It was interpreted by various rock groups, including Ian Gillan’s pre-Purple Episode Six, then the Jeff Beck Group on Truth. Rose’s cover was released as a single, and the Grateful Dead heard him sing it on the road in late ’66. And while Elektra’s Jac Holzman signed her to his offshoot Nina Music, nothing prevented Rose from sticking his moniker in brackets. Dylan had publishing with Columbia (he called himself Blind Boy Grunt), but Dobson’s song became Public Domain. All three had that day’s songs (lyrics and chords) published in the mimeographed tip sheet Broadside. “I first recorded the song after playing it live at the Mariposa Folk Festival in Orillia, Ontario, at Folkways Studio, downtown Manhattan.”ĭobson is too modest to mention that she went to Folkways after rehearsals at Gerdes Folk City with Bob Dylan and Phil Ochs – the three of them having an acoustic face-off in the tiny basement. “In some ways it was my fault – I was so naïve,” says Dobson. (Rose also claimed to have written Hey Joe, to which Billy Roberts is generally given entitlement.) Her signature song was first covered by the Briarwood Singers, then by Fred Neil & Vince Martin for their album Tear Down The Walls, Fred changing the opening line from ‘ Take me for a walk in the morning dew’ to ‘ Walk me out in the morning dew.’ That was the version Rose copied for his debut album. In the midst of the folk-rock boom, she toured the States alongside Judy Collins, Richie Havens and Mississippi John Hurt. She earned a living touring with Sonny Terry & Brownie McGhee in 1960. () Musicstoryteller#15.Dobson’s folk-singer career took off. Roll poetry in Liverpool and finally took his advice on modifying the spelling of their band name… Now with Chris Tidmarsh as new vocalist, they reinvented themselve as “Neil Christian And The They were musicians in an unknown outfit that backed Ellis when he performed his rock and

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He eventually showed (not fab’) four young lads from Liverpool how to use the nasal inhaler. It was a useful aid to staying awake in their all-night lives as

This time that Royston Ellis learned about the benzedrine nose inhaler trick from Don Wood, the road manager of the Red Cats.

#LULU MORNING DEW TV#

Royston Ellis eventually did performances of rocketry just with Jimmy Page on guitar, from Late 1960 to July 1961, giving Page his first stage and TV shows.

The Beat poet Royston Ellis who was searching for a band to back him on his poetry readings called “rocketry”, as a replacement for The Shadows who became so much in demand after the success of In spring 1960, Chris Tidmarsh replaced Lewis on vocals and the band took part of theĬoffee morning parties in London given by Ray Mackender, who was an advisor to Cliff Richard's father and eventually discovered and became the manager of Mark Wynter. To auditioning for the vacancy.Jimmy Page became their new lead guitarist and Jumbo Spicer switched to bass. Them to go to drama school in Easter 1959,The Redcats’ manager, Chris Tidmarsh, contacted Jimmy Page and invited him down to Shoreditch, where the band rehearsed in a room above a pub with a view In early 1959, John “Jumbo” Spicer joined the band on rhythm guitar.When Oates announced that he was going to leave Using Bobby’s guitar played a few licks and riffs and some Chuck Berry solos. They had played a few gigs at the Ebisham Hall in Epsom and Jimmy Page would chat to the musicians and Group called the Red “Cats” comprising guitarist Bobby Oats and drummer Jim “Tornado” Evans. In late 1958, the Redcaps eventually parted company with Reddy Lewis who recruited a new backing The Redcaps were 'discovered' at the same Wandsworth Town Hall onceįrequented by Frederick Heath & his Combo who later emerged as Johnny Kidd & The Pirates. Previously with the Wayfaring Strangers and The Ramrods alongside guitarist Mick Green, 2 skiffle groups from Wimbledon. William Stubbs aka “Reddy Lewis”, they were formed in mid 1958 and their first line-up consisted of Johnny Patto on guitar, Johnny Spence on bass, Frank Farley on drums. Red-E-Lewis And The Redcaps were a semi-professional rock 'n' roll band from North London, moulded on American Gene Vincent And The Blue Caps.

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